I was inspired by Germanic design language, particularly the design language of Swiss designers, German auto manufacturers, and the Bauhaus movement. However, I wanted to put my spin on it—if it was too clean it wouldn’t be distinctive.
To create the logo, I had to imagine what the company would do. As Germany is known for their engineering prowess, I thought that Hahn could be a fictional competitor to Siemens.
I started out with some preliminary ideas on what to do, mainly based on the idea of the typeface being representative of buildings. It wasn’t really translating, so I went back to the very start. I warped the text to the shape of a feather, and it created a nice juxtaposition between the cold sans serif typeface and the organic form of a feather.
The result is the Hahn brand and identity, which I further extended into stationery as a part two to this project.